Sam Shendi’s Bold Journey Across Cultures
Sam Shendi
Sam Shendi, Courtesy of the Artist
Sam Shendi is an Egyptian-born, UK-based contemporary sculptor whose art reflects a global vision, free from cultural boundaries. A self-proclaimed “energy sculptor,” Shendi crafts bold, abstract forms that capture the invisible trails of human movement and emotion. With each piece, he seeks to visualize the unseen forces that define our interactions and identities. DIVAZ couldn’t miss out on the chance to delve into Shendi’s philosophy and the stories behind his striking works.
Tell us about where you grew up, your studies, and your family.
I was born in Mansoura, Egypt, but my parents traveled around the Middle East to teach, so my childhood was spent between Egypt, Yemen, and Saudi Arabia. Then, I joined the Faculty of Fine Arts in Zamalek in 1992 and graduated in 1997. Now, I live in the UK where I’ve been for almost 24 years.
How did you discover your artistic interests, and when did you first venture into this type of work?
Initially, I wanted to be a Disney cartoon designer or a famous painter like Tarek Nour, but when I tried sculpting, my professor saw my work and told me I was a sculptor. I didn’t understand at first; I thought, “Who makes money being a sculptor?” I didn’t work in art for years after moving to the UK in 2000, but during that time, I allowed myself to develop creatively.
How would you describe your aesthetic, style, and work in your own words?
I sculpt unseen energy, like light trails captured by a slow-motion camera. My sculptures are like three-dimensional drawings in space. I use a set of colors that I mix myself: green for hope, white for purity, red for sexuality or anger, yellow for jealousy or fakeness. My work is abstract, bold, and minimalistic, evolving from my early figurative work. This is a natural progression for any artist, but many in the Middle East are trapped in market-driven styles. I don’t create for money or fame; I create because I have to, because I exist.
Looking back, what were your biggest challenges, and did you ever doubt your path or consider giving up?
My biggest challenge is trying to be culture-less. I want my work to be universal, to be me. Also, the cost of creating sculptures—they’re heavy and need transport. Convincing others of my worth is another struggle. I never wanted fame or money. I just wanted to be inspiring. And I found the easiest way to be inspiring is to be a father.
Who is your diva?
When I look back at my life, I’m inspired by myself. I’ve changed a lot from childhood to fatherhood, and each transformation has shaped the artist I am today. So, the only diva that comes to mind is Sam Shendi, I’m afraid. (laughs)