Contemporary Art in Conversation With Heritage
STEPHANY SANOSSIAN
Stephany Sanossian, Courtesy of the Artist
Stephany Sanossian is a Syrian-Armenian artist whose work delves into interpersonal relationships, particularly exploring the dynamics of inner child and identities. Her work is mainly in mixed media and her installations merge cultural narratives with contemporary expression, creating spaces for dialogue and reflection. Through her art, Sanossian aims to bridge the gap between heritage and modernity, which was one of several reasons why the artist piqued DIVAZ's interest, and she was gracious enough to answer some questions about her art and her inspirations.
How have your cultural experiences shaped your identity and process?
Having been raised with a dual cultural background has shaped my entire life. Navigating both worlds simultaneously gave me a broader perspective, and that’s reflected in who I am as both an artist and a person. There’s always more to learn, and that curiosity drives me forward.
Why did you pick this line of work, this artistic path and this unique style?
I’ve always been influenced by different media, both from the West and my own cultural background. It wasn’t about favoring one over the other, but about blending these perspectives to explore my identity. My work aims to start a dialogue with those unfamiliar with my heritage. By pushing boundaries and shifting the narrative, we can create something new and significant.
Would you say your work reflects your cultural heritage? If so, in what way?
Absolutely. My art is a conversation between heritage and contemporary expression. It’s my way of writing a love letter to the world, combining where I come from with where I’m headed.
Koura by Stephany Sanossian
What moment stands out as a deeply personal victory that made you feel proud of yourself and your work?
A moment that stands out to me as a deeply personal victory is my exhibition at Leila Heller, “I Kept the Night Vigil,” exploring women’s voices across and beyond the Middle East, curated by Behrang Samadzadegan. It has been a major step for me to be surrounded by them.
Can you walk us through a day in your creative process?
Usually it all starts in the studio, but my process always starts online, where I shape the concept. From there, I go offline and bring it to life. In 2024, it’s clear that formal studies alone don’t shape creativity. What matters is research—knowing how to ask the right questions and seek out answers. It is central to my process; it fuels my ideas and keeps my work evolving. I believe in research and in gathering visual references—the more screenshots, the better the result. For instance, with my latest piece, I conducted a survey on the inner child, which led me to a very simple heart shape that resonates universally. Whether you’re six years old or eighty six, love, after all, is the key to life, and that’s what the world truly needs right now.
Who is your Diva?
My diva is my mom, my sisters and my friends. A “diva” is the character—a go getter who’s here to stay and fight for what she wants.
